The sum total of my life's work.


How I've been proving my Philosophy degree's worth.


The shows I've worked on.

Below is a sample of my past work in different roles. As a magpie, an entirely comprehensive CV would be quite messy and doubtless confusing - so if you'd like to know more about my experience in a specific area, contact me through the form at the bottom of my home page and I'm always happy to provide specific CVs. My past productions as a director can be seen on the past work page.


2016-2017 | Digital Artist | Headlong
2016-2017 | Laboratory Associate Director | Nuffield Southampton Theatres
2015-2016 | Resident Assistant Director | Theatre Royal Plymouth
2013 | Resident Trainee Director | King's Head Theatre

Installations and interactive pieces
Aug 2014 | Second Sight | In The Woods Festival  
In response to the mythical monsters theme, I created periscopes to hang around the forest, through which could be seen fantasy creatures.
Sep 2013 | A beginner’s guide to budgeting | Artsadmin 
My fee for the evening was gambled on a series of games played with audience members, for an evening exploring the relationship between artists and funding.
Mar 2013 | Fortress | Nice Spread
For an exhibition on claustrophilia, I created a box fort to house myself and audience members as a space for telling stories about the small spaces we loved.
Feb 2013 | Faithful | Open Arts Cafe
In response to the 'Love Machine' theme, I collected audience responses to messages of unrequited love and created a rapid-response improvised film.

Resident and Assistant Directing
I was Resident Director on Nuffield Southampton Theatre & Leicester Curve's Fantastic Mr Fox (dir. Maria Aberg) during its January-July 2017 tour.

At Theatre Royal Plymouth, I was Assistant Director on the war has not yet started (dir. Michael Fentiman); The Man With The Hammer (dir. Justin Audibert); Monster Raving Loony (dir. Simon Stokes) and The Whipping Man (dir. Tom Attenborough). 
Whilst a freelancer in London, I assisted directors including James Phillips, James Farrell, Alan Lane and Carl Heap.

I have worked as a performer on various of Secret Cinema's immersive productions (including The Shawshank Redemption; Brazil; Dirty Dancing; The Grand Budapest Hotel; Secret Music Presents Laura Marling; Miller's Crossing; Mission: Impossible). I also performed with GETINTHEBACKOFTHEVAN in their production of The Best Little Whorehouse in Texas for Spill Festival and have been a player-performer for Adventurers Wanted.

I also recently completed Level 1 improvisation training with the Free Association, to study on a Level 2 intensive course shortly.


Scriptreading for Finborough Theatre, Courtyard Theatre, Theatre Royal Plymouth

Workshop facilitation (improvisation, devising, immersive theatre and storytelling) for schools, community groups and universities 

Sound design and composition for various productions (including sound design and operation for improvised shows)

Various roles on immersive and interactive large-scale theatre, including: cover director, stage manager, front of house manager, front of house staff and volunteers manager